Last night was my first trip out to The Crofoot for Carjack, Child Bite and Holy Fuck. I travel out-of-state to see bands quite a bit, and I’m always pissed that other states have venues that were built after the Spanish-American War — you know, with a state-of-the-art sound system, proper ventilation / air circulation, stall doors in the restrooms, and a layout that implies that someone took at least 10 fucking seconds to consider where the bar and the walls and the tables should go. The Belmont has come close with their patio and air conditioning, comfortable bar and decent sound…but walk more than 20 feet from the stage and that sound turns into background noise. And try not to kill anyone walking out of the men’s room.
Actually, I think the best-designed venue we have is the New Dodge Lounge in Hamtramck. You’ve probably never heard of it though, since whoever is managing/booking there has no desire to actually bring people in, outside of the Blowout Festival. The owners should seriously be fined for wasting resources in such an offensive manner.
Other than that, we’ve got The Magic Stick and Lager House — both of which I think we all love out of habit. The Lager House’s booking is great and has only gotten better. The venue itself has seen better days, though. Drive by it during the daylight and you’ll wonder how it’s still standing. And it could be crossed off the list of available venues as early as next week.
And the legendary Magic Stick will be the place that every mid-level band skips until there’s a change in ownership. The last guy who booked there, Greg Baise, is now the talent buyer for The Crofoot, and The Crofoot was immediately able to gets bands like Holy Fuck and Deerhoof and Girl Talk, Fujiya & Miyagi and Polyphonic Spree and The Hold Steady. And I keep hearing, “Why didn’t Greg book like that when he was at The Stick?” He couldn’t. You think he didn’t want to? You think the new booking staff doesn’t want to? They do…but there are owners to deal with. The Magic Stick is just like everything else in Detroit — huge potential, great intentions, but held back by shitty administration.
Anyway, back to The Crofoot. The place is beautiful inside. I only saw two of the three stage areas, and they are very impressive. The Pike Room only holds 200 people, and it was maybe half-full(?) last night. Would 100 people have shown up in Detroit to see Holy Fuck? I dunno? Would they have been dancing up front all night in Detroit? I dunno. All three acts sounded outstanding through the new sound system. The windows were open, the floor was clean, the lighting was right, the bartenders were friendly, movable tables and chairs depending on the artist/crowd for the night, restrooms that didn’t interfere with the show…i hate that i liked it so much. (You could knock a buck off the price of alcohol, though. Seven bucks for a whiskey reminded me I was in Pontiac.)
We snuck through the merch area to check out the biggest of the three stages, which I assume is The Crofoot Ballroom. It’s equally as nice (photos here), but I really didn’t get to see it in action. All I know is that playing video games on that giant screen looks like a lot of fun, and the outside balcony and patio have huge potential.
But, as someone else said last night, all venues have one major thing wrong with them and The Crofoot’s flaw is that it’s in Pontiac. It’s not just the drive (40-minutes from Detroit) that makes people cringe, but also the DudeBro factor that has a lot to do with everyone’s contempt for the city. The night life there is mainly meatheads and girls hoping to be date-raped. Like Royal Oak, but magically worse. I heard someone tell a story the other day about the free Dirtbombs show during The Crofoot’s Opening Night. They described a DudeBro in the bathroom, in his Adidas sandals, on his cell phone. It went something like “Hey, bro. What? No, I’m at that new place. There’s no cover. Dude, don’t bother…the band is horrible.” Yes, he was talking about The Dirtbombs. DudeBro should have his own blog…
See according to both “scenes,” this is either the right place in the wrong city or the wrong place in the right city. Can The Crofoot successfully draw white belts in for indie shows during the week and white hats in for dance music on the weekends? Maybe. Will one crowd ultimately win out over the other, causing management to strictly cater to one “scene”? Maybe. Will anyone ever put together a proper venue in Detroit? I dunno. I’m looking for investors…