Friday feels like a long time ago. I went to that benefit at The Crofoot that I’d mentioned last week. Remember? The one with all the bands and the music and the Pontiac? It was great. A little too great, in fact. When Deastro is the first act, it means I actually show up on time — and showing up on time meant 7pm. Do the math. Seven hours of drinking. Which wasn’t a problem at the time, but I sat out Saturday night’s activities in favor of an IASIP marathon…and my Movement photographer was still out of commission on Sunday. Jackass.
So Friday night…the bands played. And if you like the bands, then you liked the bands. If you hate the bands, then you hated the bands. Outside of the fact that Johnny Headband made a killer comeback and my realization of not having the latest SSM album, I don’t have anything to say that you haven’t already heard from me.
Honestly, and this isn’t meant to be a jab at any of the bands, The Crofoot was the night’s MVP. Outside of the Eagle Theater, all areas were open and accessible — the Ballroom, the patio, outside balcony, Vernor’s Grill, that whatever it’s called front bar, even the Pike Room upstairs where another show was taking place (I caught some of The Subways headlining set up there). There are places to sit and drink where you wouldn’t even know you’re at a show or a venue and, once the kitchen opens, I’m going to see about renting a space and moving in. Yes I know it’s in Pontiac, but so are all the sluts. I don’t see the problem.
Saturday night — remember that Holy Ghost! show at Oslo I told you to go to? Well, after Holy Ghost! finished their set, Moby did his. I heard it was a blast and that he was being a pretty cool dude to all the freaks who wanted photos with him. Sounded like a good time. Don’t you wish you listened to me more often?
Sunday I finally picked up my press pack for Movement. The thing about me and press credentials is I usually don’t use them. All I’m after is the free admission. Who wants to stand on stage with a camera pretending they’re taking part in the event? That’s dumb and it feels like work. And you look like an idiot getting in everyone’s way. So while I don’t have any up-close photos of Girl Talk, I can tell you first hand that the people packed in to see that performance created the most uncomfortable crowd I’d ever been stuck in the middle of. I can tell you that the chick next to me gave me the best lap-dance I never paid for. I can tell you that some dude couldn’t break through the crowd and had to piss in his empty beer cup, which he then ended up setting on the ground for people to knock over. And I could count how many lobotomized-looking overdose-kids were carried past me by their friends (three).
I know that’s nothing really ground-breaking — sounds like the DEMF / Fuse-In / Movement crowd every year, but this performance had that insanity doubled, at least. The security, who ended up taking center-stage, looked downright frightened. Piles of kids on stage, hanging from the support pillars, dancing on the speaker stacks. It was the most appreciation I’ve had for CHAOS in quite some time. There’s a rumor going around that Girl Talk will be back at The Crofoot complex sometime in the near future. Could be total bullshit, but I’d look out for that.
I also caught The Cool Kids, who’ve been hyped up everywhere lately. They’re live hip-hop, and even the best live hip-hop sometimes sounds, I dunno, not that great. Fortunately for them, they can fucking work and pwn a crowd and I’d pay to see that live act again despite the fact that I’d probably never play their disc in my car. I saw some other stuff there on Sunday, too. I’m not really “techno guy” so a lot of it just sounded like generic oompts oompts oompts to me. In fact, I listened to a bit of Carl Craig after Girl Talk and thought “Isn’t this guy supposed to be good or something?” I guess I was on the wrong drugs. I did enjoy Kill Memory Crash — actual instruments and a live singer go a long way. And I thought James Zabiela’s set was pretty rad.
I know you’re waiting for me to make fun of the people there, but I’m not going to do it. The only thing I’ll mention, and I’ve seen this before elsewhere, is the girlfriend-on-a-leash thing. This shit. If there was ever a more literal translation of “the old ball and chain,” I’d be shocked. I do get it — it’s some submissive goth fetish, and that’s fine. Whatever bloats your goat, and all that. I just don’t know why you’d want to drag your girlfriend around everywhere you went. If that were me, I’d tie that leash to a fence and go enjoy the festival. Just once I’d like to see the chick freaking out and trying to hump some dudes leg or attempting to bite someone — something to justify putting her on that leash. Because when you’re both calmly standing in line for a lemonade, discussing whether or not to share a corn dog…it takes all the sexy out of it.
I was gonna go back to Movement on Monday, but ended up at The Detroit Zoo instead. The similarities between the two places, especially the smell, were staggering.